Experience

• Senior Technical Artist at Embark Studios

  Stockholm, Sweden

  July 2025 - Present

• Lead World Artist at ProbablyMonsters

  Seattle, US

  August 2024 - July 2025

  - Ire: A Prologue
  
  And 2 unannounced projects

• Principal World Artist at ProbablyMonsters

  Seattle

  January 2023 - July 2024

• Technical Art Director at 343 Industries (Microsoft Game Studios)

  Seattle, United States of America

  January 2021 - January 2023

  Focusing on workflows and tools for the studio.

• Senior Environment Artist at 343 Industries (Microsoft Game Studios)

  Seattle, United States of America

  January 2016 - January 2022

  Halo Infinite
  
  Slipspace Engine

  Multiple areas of ownership.
  
  Workflow/Tech lead for (primarily) the Environment Art team, but a lot of workflows/features cross into other disciplines.

  Designing and driving development of several key tool, systems and features to enable Halo Infinite, most notable:

  - Spec control system (Content scalability for multi-platform)
  
  - Terrain system (in editor WYSIWYG sculpting, materials, ground cover integration etc.)
  
  - HLODs
  
  - Mask Painting (per instance paintable variation)
  
  - Kits (Slipspace version of prefabs/blueprint)
  
  - Various debug tools (object validation, memory, diskspace and performance etc)
  
  - Release tracker (multibranch, content stripping and tracking)
  
  - Internal toolset UX overhaul to unify and simplify content creating/editing.
  
  - Node graph editor supporting several systems (terrain system, shaders, animation, lighting etc),
  
  - Unified wind system
  
  and much more

  Helping to optimizing performance/memory for all platforms, most notable:
  
  -optimizing and tuning all ground cover on all platforms for campaign to run withing their performance targets
  
  -analyzing performance captures to find opportunities for improvements
  
  and more

  Spec Control (Content scalability for multi-platform)
  
  I was part of designing and driving scalability features most scalable content systems.
  
  It included tuning majority of systems, analyzing performance impact, visual quality testing, education/documentation, sign offs etc

• Lead Artist at Digital Illusions (Electronic Arts)

  Stockholm, Sweden

  October 2013 - December 2015

  Mirror's Edge: Catalyst

  Managed all environment artists on the project, as well as creating content, both 2d and 3d.
  
  Giving feedback, helping artist to grow, having an overview of the work being done and keeping track of dependencies. Planning the level work for milestones and finished product. Making sure we execute on the art direction on quality, on time. As well as checking that we stay within our memory and performance targets. Finding technical solutions for limitations as well as creating guidelines for content creation. Working close to both our technical art director and software engineers.

• Senior Level Artist at Digital Illusions (Electronic Arts)

  Stockholm, Sweden

  October 2011 - December 2015

  Battlefield 4 (2013)
  
  Medal of Honor: Warfighter (Unintended Consequences) (2012)
  
  Battlefield 3: Armored Kill (2012)
  
  Battlefield 3: Close Quarters (2012)

  Creating realistic environments; layout, terrain, object placement, lighting, vegetation etc.
  
  Creating and texturing props. Advanced node based shader-networks.
  
  Workflow improvements, tutoring, feedback, R/D.

  Analyzing, tracking and managing performance and memory on all platforms.

• Level Artist at Digital Illusions (Electronic Arts)

  Stockholm, Sweden

  January 2007 - October 2011

  Battlefield 3 (2011)
  
  Need for Speed: Hot Pursuit (2010)
  
  Battlefield: Bad Company 2 (2010)
  
  Battlefield: Bad Company (2008)

  Creating realistic environments; layout, terrain, object placement, lighting, vegetation etc.
  
  Creating and texturing props. Advanced node based shader-networks.

  Analyzing, tracking and managing performance and memory on all platforms.